Return to Home Page Biographical information, downloadable photos and press materials List of compositions by genre, with basic info and links to more details, sound files and score samples News, articles and selected recent and upcoming performances Quotes about David Sartor's music Available CD Recordings Order scores, parts and sheet music online from Metamorphic Music - in traditional printed versions or as PDF files Read David Sartor's blog and join in the discussion! Links to other web sites pertaining to David Sartor Commissioning a new work A library of full scores in PDF format for perusal Contact David Sartor

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Recently Composed

Amid The Winter's Cruel Snow, for SATB Chorus and Solo Celesta.

Dies Irae, for Brass and Timpani.

Reveries, for String Orchestra.

Recent Events

July 19, 2008
World Premiere of Dies Irae at the Sewanee Summer Music Festival by the SSMF Festival Brass, Sewanee, TN, David Brockett, Conductor.

April 13, 2008
Performance of Metamorphic Fanfare by the Young Musicians Foundation Debut Orchestra, Santa Monica High School - Barnum Hall, 600 Olympic Blvd, Santa Monica, CA 90405, Sean Newhouse, Music Director.

February 18, 2008
Guest Composer, Composition Seminar, Middle Tennessee State University, Murfreesboro, TN

Performances: 2006-2007 Season

May 20, 2007
Veni Emmanuel (world premiere), by the Indiana Wind Symphony, Indianapolis, IN, Charles Conrad, Music Director.

May 18, 2007
Concerto for Orchestra by the National Symphony, Philharmonic Hall, Kiev, Ukraine, Robert Ian Winstin, Conductor.

March 21, 2007
Alleluja from Anthem VI-B for Brass Choir by the Malone College Brass Ensemble, Canton, OH

January 2007
Concerto for Orchestra (world premiere), by the Millennium Symphony, Palais Versailles, Paris, France, Robert Ian Winstin, Conductor.

December 24, 2006
Thy Light Is Come at Midnight Mass, St. Catherine of Siena Catholic Church, Great Falls, VA, Neil Weston, Director.

November 2006
Psalm 67, by the Clarendon United Methodist Church, Arlington, VA, J. Reilly Lewis, Music Director.

November 18, 2006
Polygon, by the Broad Street Brass Quintet, at the 2006 MTSU Brass Performance Clinic, Middle Tennessee State University, Murfreesboro, TN

November 8, 2006
Polygon, by the Broad Street Brass Quintet, 6:00 pm, Hinton Recital Hall, Middle Tennessee State University, Murfreesboro, TN

October 26, 2006 - Polygon, at the Society of Composers Inc. Regional Conference, Middle Tennessee State University, Murfreesboro, TN

October 12, 2006
Convocation, as part of the 60x60 Project at the Electronic Music Midwest Festival, Lewis University, Romeoville, IL

April 23, 2005
Black Ball Counts Double (world premiere) by the Mission Chamber Orchestra, San Jose, California, Emily Ray, Music Director.

April 8 and 9, 2005
Metamorphic Fanfare by the Brevard Symphony Orchestra, Melbourne, Florida, Christopher Confessore, Music Director.

March 13, 2005
When Jesus Wept for organ at Centenary United Methodist Church, Winston-Salem, North Carolina, Ray Ebert, Organist.

March 13, 2005
When Jesus Wept for organ at Vine Street Christian Church, Nashville, Tennessee, Julia Callaway, Organist.

December 11,12, and 13, 2004
Thy Light Is Come by the Cathedral Choral Society at the Washington National Cathedral, Washington D.C., J. Reilly Lewis, Music Director.

June 5, 2004
Synergistic Parable for Concert Band at the Dore Theatre, Bakersfield, CA, by the California State University Bakersfield Concert Band, David Sartor conducting.

April 13, 2003
Alleluja from Anthem VI-B for Brass Choir at St. Fidelis Church, Manhattan, KS, by the Kansas State University Brass Ensemble, Gary Mortenson, Director.

April 6, 2003
When Jesus Wept for organ at Vine Street Christian Church, Nashville, Tennessee, Julia Callaway, Organist.

March 22, 2003
Alleluja from Anthem VI-B for Brass Choir at the University of Cincinnati College-Conservatory of Music in Robert J. Werner Recital Hall, conducted by Paul Hillner.

January 19, 2003
Alleluja from Anthem VI-B for Brass Choir at Bethel Lutheran Church, Middleburg Heights, Ohio, Jayne Southwick Cool, Director.

September 15, 2002
Simple Blessing for organ (premiere) at Vine Street Christian Church, Nashville, Tennessee, Julia Callaway, Organist.


Sartor Wins Nineteenth Consecutive ASCAP Award

September 15, 2007 - David Sartor has been notified by the American Society of Composers, Authors and Publishers that he is the recipient of an ASCAP Plus award for 2007-2008.

The ASCAP Plus awards, announced annually, serve to recognize and reward composers whose works have a unique prestige value. Award winners are selected each year by an independent panel of distinguished experts.

This is the nineteenth consecutive year that Sartor has received this award.


Sartor Named to Who's Who in America® for Third Consecutive Year

July 16, 2007 - Composer David Sartor has been notified that his biography will be included in the 62nd Edition of Who's Who in America®, published by the Marquis Corporation.  Inclusion in the exclusive volume is limited to men and women who have demonstrated outstanding achievement in their respective fields, and who have also contributed significantly to contemporary society. This is Sartor's third consecutive year to be profiled in the publication.

For over 100 years, Who's Who in America® has compiled and published biographies of notable Americans.  The publication is the leading reference for executives, journalists, personnel recruiters, librarians, researchers, students, and many others who seek in-depth and dependable biographical information on America's leaders.


Sartor Awarded Delta Omicron's "Thor Johnson Memorial Commission"

June 29, 2007 - Nashville composer David P. Sartor has been selected by the Delta Omicron Foundation as the recipient of the Thor Johnson Memorial Commission.

Delta Omicron is a professional international fraternity in the field of music, with chapters established throughout the United States and abroad. The Thor Johnson Memorial Commission, awarded every three years to a distinguished concert music composer, funds the creation of a new work to be featured at the organization’s Triennial Conference. Sartor will compose a piece for string quartet that will be premiered at the 2009 Triennial Conference, which also coincides with the 100th anniversary of Delta Omicron.

“Fulfilling this commission will be a special pleasure for me, as Dr. Johnson was the conductor of the Nashville Symphony for many years and played a significant role in my own musical development,” said Sartor. “I am honored to be chosen to celebrate his legacy and to commemorate the centennial anniversary of Delta Omicron.”


Reveries Advances to Finals in "2007 Adagio Composition Contest"

June 26, 2007 - The Fauxharmonic Orchestra has announced that David Sartor's Reveries for String Orchestra has been named as one of three finalists in the Orchestra's 2007 Adagio Composition Contest.

Concerning the three finalists, Maestro Paul Henry Smith wrote, "These works clearly stood out in their ability to evoke sadness. They are also very well made pieces of music. They capture your attention, speak in an almost personal style, and leave you wanting to hear the piece again."

Sartor's piece was selected from more than 165 compositions entered in the contest.


Concerto for Orchestra a Finalist in Columbia Orchestra's "American Composer Competition"

February 28, 2007 - The Columbia Symphony Orchestra has announced that David Sartor's Concerto for Orchestra has been named as a finalist in the American Composer Competition. The competition is held biannually by the orchestra to foster the creation and performance of orchestral music by American composers.


Sartor's Orchestral Works Selected for Release on ERM Media's "Masterworks of the New Era" CD Series

I n my role as a conductor and producer of recordings with orchestras, I get to see, sample and perform an astonishing array of new music. In this capacity, I run across a lot of music of all qualities.

David Sartor's music is like a breath of fresh air! It is well thought out and the work of a true craftsman. His musical lines and textures, while being new and - dare I say - 'modern', are completely idiomatic and fresh sounding without being annoying and self-serving. The CONCERTO FOR ORCHESTRA is a true tour-de-force for the ensemble and quite a treat to conduct. His METAMORPHIC FANFARE is fresh and invigorating.

I have recorded and conducted both works and am truly impressed by the pieces and by the composer. These are very cool pieces!

- Robert Ian Winstin
Conductor, Masterworks of the New Era Label, ERM Media



Three of David Sartor's orchestral compositions - Metamorphic Fanfare, Concerto for Orchestra, and Black Ball Counts Double - have been selected for release under ERM Media's prestigious "Masterworks of the New Era" CD series. The works have been recorded by the Kiev Philharmonic, with Robert Ian Winstin conducting. Sartor's three works were selected from more than 1,100 compositions considered for the recording sessions.

Metamorphic Fanfare was commissioned and premiered by the Knoxville (TN) Symphony Orchestra, Kirk Trevor, Music Director. It has been praised by performers, conductors, critics and audiences as "instantly appealing," "fascinatingly complex," "wonderfully crafted, "cunningly clever," "a real crowd-pleaser," "fun to play," and "a wonderful addition to the repertoire." Metamorphic Fanfare was recorded in July 2005 and was released in March 2006 on Masterworks of the New Era Volume 8.

The second work, Sartor's twelve-minute Concerto for Orchestra, employs an eclectic palette ranging from the pointillistic to the lyrical. In the tradition of Bela Bartok's work of the same name, the musical materials are explored in a continuously unfolding development of both timbre and motive, painted in exotic textures that include piccolo and contrabassoon solos and even an extended tuba cadenza. Concerto for Orchestra was recently named as a Finalist in the Columbia Symphony Orchestra's "American Composer Competition." The piece was premiered in December 2006 in Paris, France, with an additional performance in May 2007 in Kiev, and will be released on Masterworks of the New Era Volume 17.

The final work, Black Ball Counts Double, received a commendation in the 2003 Oare International Composing Competition, based in England. It was premiered on April 23, 2005 by the Mission Chamber Orchestra, San Jose, California, Emily Ray, Music Director. Black Ball Counts Double was recorded in late 2006 and will be included in Masterworks of the New Era Volume 12, scheduled for release in the Winter of 2008.

The ERM label strives to bring masterworks of our era into the mainstream through landmark recordings with great orchestras and worldwide distribution to major radio and television markets, brick & mortar stores, internet stores and print media. The "Masterworks of the New Era" CD series is available through major record outlets and enjoys airplay on radio stations around the globe.

Scores and parts for David Sartor's compositions are available from Metamorphic Music.


Thy Light Is Come Featured in Cathedral Choral Society's "The Joy of Christmas" Concerts at Washington National Cathedral

"Few concerts in the Washington (D.C.) area are more anticipated than the Cathedral Choral Society's annual "Joy of Christmas" concerts at the Washington National Cathedral."


"J. Reilly Lewis and his Cathedral Choral Society can be counted on to deliver the richest and smartest of Washington's Christmas concerts."



December 11-13, 2004 - Composer David Sartor's Thy Light Is Come was prominently showcased in our nation's capital during the 2004 Christmas season. The piece was performed three times to a total audience of 10,000 at Washington National Cathedral by the 240-voice Cathedral Choral Society with the Washington Brass, timpani and organ, conducted by CCS Music Director J. Reilly Lewis.

At the request of Dr. Lewis, Sartor created a new version of his Thy Light Is Come that added brass and timpani. The festive composition was the concluding work on each of the Choral Society's critically acclaimed “The Joy of Christmas” concerts, which also included the world premiere of Libby Larsen's The Shepherds and the Angels (in English and Aramaic), and We Sing Thy Birth by Stephen Paulus.

Sartor was on hand for the first two performances on December 11th and 12th. Prior to each concert he addressed audience members and also participated in a lively panel discussion with Larsen and CCS Chorus Master Christine Shuart, moderated by WGMS / WTOP’s “Man About Town” Bob Madigan.

Washington National Cathedral is located on Wisconsin Avenue just north of Massachusetts Avenue. More information is available on the Cathedral's website. Additional details about the Cathedral Choral Society's current concert season can be found on the Choral Society's website.


Pre-concert Panel Discussion. Left to right: Libby Larsen, Moderator Bob Madigan, Sartor.


Sartor Completes "Meet The Composer" Residency at California State University Bakersfield


June 6, 2004 - David Sartor was Guest Composer and Conductor at California State University Bakersfield from June 3-5, 2004, in a mini-residency co-sponsored by Meet The Composer Inc. and the CSUB Music Department, Dr. Doug Davis, Chair.

Over the three days Sartor was featured in a number of events, including teaching master classes and leading discussions of his music with students, area musicians and the public. The residency concluded with a Saturday evening concert by the CSUB Concert Band on which Sartor conducted his Synergistic Parable, winner of the American Bandmasters Association's Ostwald Award for Symphonic Band Music Composition.

Meet The Composer is a New York-based organization whose mission is to increase opportunities for professional composers by fostering the creation, performance, dissemination, and appreciation of their music. Composers apply for the highly competitive grants in conjunction with a sponsoring organization, and all events funded by Meet The Composer are open to the public.



Black Ball Counts Double Receives "Highly Commended" Award in Oare International Composing Competition

December 2, 2003 - The string orchestra version of David Sartor's Black Ball Counts Double has been honored with a "Highly Commended" award in the Oare String Orchestra's Third Annual International Music for Strings Composition Contest.

The contest, based in England, attracted entries from around the globe.


Recording Session Completed

February 6, 2004 - The Nevsky String Quartet has recorded the string quartet version of David Sartor's Black Ball Counts Double in St. Petersburg, Russia.